I have sighed many times over this article which now I write. My spine has cramped with my scribe's position, sitting on the oaken floorboards in the cabin which once Selidon and Voessi inhabited. I did not sleep last night but paced the floor, attempting to sort in my head the various thoughts and dreams and half-baked notions which ramble about in there like a pack of feral children. There is no tea to be had, nor pipe to be smoked, none of the usual distractions or vices, even if I should break with convention and take one up. Because why not, in this world where nothing makes sense?
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The author entertains himself by
mocking the skeleton for 15 minutes. |
When I press my cheek against the coarse glass of the cabin's windows, it is cold. The sky is dark, though I see the pink hues beginning to form on the horizon. An archer-skeleton ambles past the window, bow at the ready, sounding for all the world like someone has kicked a xylophone down a staircase; soon he will burst into flames, if he does not find a sheltering tree. I watch the back of his bleached skull round the corner of the cabin as he stalks off, and I have no emotional attachment to his presence. Not fear, not revulsion, even my academic curiosity wanes.
Oh. He has fallen into the well, in a misguided attempt at self-preservation. Surely, there is enough shade in there to guard him from the sun, and should he catch fire, he is perpetually bathed in cool water. But now he can't climb out nor operate his bow to pluck out the eyes of casual observers.
I could draw an analogy between us, but honestly, it would take too much out of me.